Seen at the 2020 (30th anniversary) Zoo Lights, Denver Zoo. Captured with an Olympus 12-100mm f/4 lens and 80mm crystal ball.
If only we could capture the ugliness from 2020 and keep it locked away in a glass ball like this…
Day 2 on the Inca Trail was (as you’ve likely gathered) quite a workout. Folks on this trek got a longer-than-usual break at the end of day 2, so we can take a break here as well — don’t you think? Continue reading
Another shot of Paris’ Ferris Wheel, courtesy of Olympus‘ Live Composite function:
Unfortunately, when you use Live Composite to create an image, the total exposure time is not recorded in the image’s EXIF data. I do know, though, that each Live Comp “sub-image” was 0.5 seconds long, and this photo is made up of at least 20 of them.
Other EXIF info for the curious:
So let’s say you find yourself in Alliance, Nebraska for the 2017 total solar eclipse. No sense just sitting around waiting for the Sun to go away — why not check out some local attractions? Like, for instance, Carhenge:
A lot of people are still waiting for their pre-ordered Olympus OM-D E-M1II cameras to arrive — in the meantime, a number of them asked to see some high-ISO photographs to judge the camera’s abilities in the realm of astrophotography. After days of waiting, I finally got clear night skies where I live, so took some shots of the constellation Orion. Please bear in mind that I live in the south Denver metro area, so have to deal with light pollution — here’s the view looking south toward Orion from my house (enough sky glow to silhouette bits of a telephone pole and two trees):
For the above image, the EXIF is E-M1II, 12-40mm Pro lens @ 17mm, f/5.6, ISO 1600, 8.0 seconds. This is a SOOC image, by the way — all I’ve done to it is RAW conversion and scaling (to fit my blog’s template) in Lightroom.
But I didn’t only take this one image — I took a series of them, all unguided (i.e., on a still tripod): Continue reading
In our neck of the woods, we’ve had cloudy night skies recently (at least, since my E-M1II arrived). So I’ve lacked a clear view of stars to test the beast on, but fortunately there are plenty of Christmas lights to work with. Here’s a quick shot from one of the more-colorful nearby houses:
A long exposure of the Eiffel Tower’s sweeping light beams at night:
It’s likely not obvious, but I took this shot using Olympus’ “Live Composite” function — I love how it lets me make images like this without having to use a neutral density filter, or (diffraction-blurring) small apertures. The full settings with an Olympus OM-D E-M5II and M.Zuiko 40-150mm lens were f/3.5, 60mm, ISO 200, exposures of 0.8 seconds each.