A long exposure of the Eiffel Tower’s sweeping light beams at night:
It’s likely not obvious, but I took this shot using Olympus’ “Live Composite” function — I love how it lets me make images like this without having to use a neutral density filter, or (diffraction-blurring) small apertures. The full settings with an Olympus OM-D E-M5II and M.Zuiko 40-150mm lens were f/3.5, 60mm, ISO 200, exposures of 0.8 seconds each.
A road-side sign, seen along a highway just outside Cienfuegos, Cuba:
The caption translates to “Only socialism makes the impossible possible.” In case you don’t recognize the portrait, it’s of Hugo Chávez, the late president of Venezuela — a major benefactor of Cuba early in the 21st century.
This is just one frame out of many in a time lapse video I’m putting together — just as soon as a replacement for my now-defunct main computer arrives (!?!). If you were curious, there are little sheltered “islands” for pedestrians at the center of crosswalks on this street — perfect locations for a little night photography.
Granted, this isn’t normally the kind of “Mayan” architecture I blog about, but in a distant sense, it’s related. Today I’m going to show you a bit of Denver history — the historic Mayan Theater, one of a few surviving examples of Mayan Revival style architecture.
Of the many challenges of life in today’s Cuba, housing must rank among the greatest. There’s not enough of it, much of the available housing stock is in terrible shape, and the Cuban legal code makes it hard to legally transfer ownership — so moving households is a big challenge.
In this shot from above (courtesy of a hotel upper-floor window), you can see how some units were turned into small yards after their roofs collapsed. Continue reading →
One of the privileges of photographic life near Denver, Colorado is that you get some uniquely colorful holiday lights to play with. In particular, the Denver City and County building traditionally is bathed in a very… unrestrained choice of colored lights at night for the season. Call it gaudy, call it exuberant, call it tacky, the bottom line is that it’s a photographer magnet (we just can’t help ourselves).
Best of all, the folks running the building now turn off the street lights on Bannock Street in front of it every Sunday night when the building’s lit up — this makes it so much easier to capture the building in all its highly-saturated glory. So last Sunday, I got bundled up to handle our recent frigid night temperatures (clear sky, 17 degrees Fahrenheit) and went to town on the place.
The above photo was taken from near the end of the building’s south wing, if you were curious. This is definitely my favorite photo of the set, I really like how the snow in the foreground brings some of the chill to the viewer. Continue reading →