Denver’s Union Station, architecture, and how not to treat a nice lens

Denver’s in the process of reworking the core of its mass transit system, and since part of the new work had a grand opening last weekend, my daughter and I hopped on a light rail train to check things out.  The core of all the work will soon be Denver’s Union Station — rebuilt in 1914, and currently in the process of renovation into a high-end hotel.

But the light rail stop that used to sit directly behind (to the Northwest of) Union Station got relocated about a quarter mile further west.  So what to do with the space between?

Walking the Concourse

Why, build an underground bus station, naturally.  The idea was to make a bus station that looks more like an airport concourse than a stereotypical bus station — and if you ask me, they were fully successful in that.  I’m not sure, but suspect that the yellow tile trimming the walls is a hat-tip to the similarly-colored tile used in the original Union Station train tunnels (check out the cover of The Fray’s self-titled second album for a historical peek at them).

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Down from on high

An abstract shot from the Ice Castle in Breckenridge, Colorado:

Down from on high

One of the fun things about living in Colorado is the plethora of great photographic subjects at hand. Among these, a new one (to me) is the “Ice Castle” built in Breckenridge during the winter. Made out of thousands of icicles, with imbedded LED lighting, it’s fun to walk through and a great photo subject.  The lighting changes colors every few seconds, so you’ll need to be on your toes if you want to capture a formation lit with a particular color — and a tripod (or one of these) along with some sort of remote (corded or cordless) are pretty much essential.

Oh, and one more piece of advice — look up!  If you limit yourself to photos taken on the level, you’ll miss some really interesting abstracts like this.

The Great Ball Court

One of the iconic sites at the ancient Maya ruins of Chichén Itzá, seen from its north end looking to the south:

The Great Ball Court

For some reason, this view doesn’t show up as often as does its opposite from the south end of the field.  Still, you can really get a feel for the ball court’s size — particularly since those are two people just to the right of this two-frame panorama’s center.

The Olympus 14-42mm f/3.5-5.6 EZ lens — a user experience review

I recently picked up Olympus‘ new pancake kit zoom lens (formally, the 14-42mm f/3.5-5.6 EZ lens) and its automatic lens cap. Rather than boring you with test charts and such, I thought taking it out on a walk would be more interesting (and help give everybody a better idea of its benefits and limitations).

OM-D compared

For starters, the lens’ big benefit is size (naturally, for a pancake) — at least for the time being, it’s the shortest pancake zoom for the micro-4/3 system, extending just 22.5mm from its mounting flange. Above, you see my E-M1 with an Oly 12-40mm f/2.8 lens mounted, next to my E-M5 hosting the 14-42mm EZ lens.  Even with the grip attached, the E-M5 is pocketable (well, in a decent-sized coat pocket) in this configuration.  The automatic lens cap isn’t exactly cheap, but that extra $30 buys you an impressive bit of engineering in a small slice of plastic — and makes this combo a potent and quick-to-use street shooter.

But on to the walk…

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House of the Cenote, revisited

A straight-on frontal shot of the House of the Cenote, in the ancient Maya ruins of Tulum in Quintana Roo, Mexico:

House of the Cenote

No, it’s not the most artistic angle on this structure, but it does give you a good feeling for its size and design.  This photo was shot from roughly the southeast (from the point of view of the sea, basically) and shows the face of the original part of the structure.

Some years later, a small shrine was added to the back of this building, directly over a small cenote that gives the whole construction its modern nickname.

Doorway to the future

Until recently, this was our neighborhood grocery store. It’s in the process of demolition (as you can see), to be replaced by a new, much nicer grocery store by the end of the year.

Doorway to the future

This building is one of those old ones that was added on to multiple times, given some cosmetic touch-ups here and there, but still couldn’t avoid looking a bit dumpy. So we’ll be happy to see its replacement, but it still feels odd to watch a local fixture get ripped down after decades of service.

BTW, as an experiment I made this photo with an Olympus 8mm “body cap” fisheye.  As soon as the weather improves, I’ll do a photowalk with it and its 4/3-mount predecessor for comparison’s sake (short version: not as good optically as the old lens, but far cheaper and more portable).

Enter the Bean

I almost titled this one “Self-portrait of Tripod,” given that I made this shot on self-timer so I wouldn’t be in it.  As a result, though, you can see over a dozen reflections of my camera on its tripod.

Enter the Bean

The reflector in this case is, of course, the “Cloud Gate” sculpture (a.k.a. “The Bean”) in Chicago’s Millennium Park.  This is taken from under the middle of it (officially called the omphalos, Greek for “navel”).  You can also get distorted shots of the weather and local architecture by using Cloud Gate’s exterior reflections.

Loads of fun, but you need to get there early unless you want to make photographs with lots of people in them.  Remind me to do a full writeup on photography of / with The Bean some day…

Leaving Albuquerque

On a recent trip to Albuquerque to take care of some family business, I managed to get aboard a very well-timed flight home on a “puddle-jumper” turboprop aircraft.

Leaving Albuquerque

As we headed north from the airport, the sun was just setting, so I got a nice mix of lighting colors.  And, of course, flying in a small aircraft means everybody gets a window seat.

For locals and the curious, the Osuna interchange with I-25 is about at the image’s center (I-25 runs from the bottom right corner toward left center).

Morning comes to Flores

Sunrise in Flores, Guatemala:

Morning comes to Flores

We didn’t get to spend much time in Flores on our autumn trip to the Yucatan — really, just a night sandwiched between the ruins of Tikal and our flight east to Belize.  But we had a great night on the island, and were greeted in the morning by this amazing sunrise.

The original part of Flores (where we stayed) is an island in Lake Peten Itza — it was once the last Maya holdout (from the conquistadors) in the Yucatan peninsula.  Now the island is connected to the mainland by a causeway, and the town of Flores covers more ground there than on the island.

The Denver Panel

This is the Denver-resident half of a pair of panels, which together tell a story of the still-lost Maya kingdom of Sak Tz’i’ (White Dog). We know the name of the site from inscriptions on the panels, it was once one of a number of kingdoms that battled along today’s Guatemala – Mexico border. But while we know the site’s name, and the rough area in which it was located (since its name glyph appears throughout the area), no one knows the location of Sak Tz’i’.

Such is the ambivalent nature of many ancient artifacts you can see in museums today.  You get to see the artifacts, but many were ultimately purchased from looters (and by continuing such purchases, museums in the more-affluent parts of the world perpetuate the vicious cycle).  By removing the panels from their original site, looters destroyed evidence about the site’s history.

The Denver Panel

Seen at the Maya: Hidden Worlds Revealed exhibit at the Denver Museum of Nature and Science.