Visitors reflected in ceiling tiles; Harpa Concert Hall, Reykjavik, Iceland.
Olympus E-M1 Mark III camera, M.Zuiko 12-40mm f/2.8 lens
f/6.3, 22mm, 1/60 sec, ISO 2000
If you’re like a lot of people, you’re spending most of your time at home these days, thanks to the Coronavirus. It’s pretty easy in those circumstances to start feeling cooped up.
Luckily, photography gives us some treatments (if not a cure) for cabin fever while waiting for the worst of the pandemic to burn out. If you’re on Facebook, I’d recommend joining Joe Edelman’s Tog Chat group — while this group normally focuses on fashion / portrait photography, Joe’s opened up the admission criteria for the duration, in order to support what he’s calling the “Stuck at Home Photography Challenge.”
The best part is, you really don’t need any new or particularly expensive gear to participate — just your camera, and things you likely have around the house. I’ll show you some of my contributions to date as examples.
A muted, somewhat ghostly shot for you — from Upper Antelope Canyon in Arizona:
A few things to note if you want to visit either Upper or Lower Antelope Canyon for photography:
An HDR view from Upper Antelope Canyon, near Page (Arizona), converted to black and white:
I’ll be posting a longer comparison of Upper to Lower Antelope Canyon at a later date. For now, let’s just say that a walk through the Upper Canyon is a crowded experience — even in the “off-season,” even on a “Photo Tour.” So taking shots facing the sky is a good plan. In any case, the canyon is a unique experience, and always a reliable source of geological abstracts.
This past weekend, I happened to drive through the San Luis valley (south central Colorado), and so was able to wiggle a bit of free time loose in order to see sunrise at Great Sand Dunes National Park.
Sitting on a dune ridge, looking even further “up hill,” I thought this was a striking sight. A natural environmental abstract…
An abstract shot from the Ice Castle in Breckenridge, Colorado:
One of the fun things about living in Colorado is the plethora of great photographic subjects at hand. Among these, a new one (to me) is the “Ice Castle” built in Breckenridge during the winter. Made out of thousands of icicles, with imbedded LED lighting, it’s fun to walk through and a great photo subject. The lighting changes colors every few seconds, so you’ll need to be on your toes if you want to capture a formation lit with a particular color — and a tripod (or one of these) along with some sort of remote (corded or cordless) are pretty much essential.
Oh, and one more piece of advice — look up! If you limit yourself to photos taken on the level, you’ll miss some really interesting abstracts like this.
I almost titled this one “Self-portrait of Tripod,” given that I made this shot on self-timer so I wouldn’t be in it. As a result, though, you can see over a dozen reflections of my camera on its tripod.
The reflector in this case is, of course, the “Cloud Gate” sculpture (a.k.a. “The Bean”) in Chicago’s Millennium Park. This is taken from under the middle of it (officially called the omphalos, Greek for “navel”). You can also get distorted shots of the weather and local architecture by using Cloud Gate’s exterior reflections.
Loads of fun, but you need to get there early unless you want to make photographs with lots of people in them. Remind me to do a full writeup on photography of / with The Bean some day…
We got hit by an odd late-winter storm the other day, and here’s what we woke up to:
This was the result of a storm that was supposed to dump a foot or more of snow on us, but wound up leaving us maybe an inch. And since the storm hit town quickly (temperature dropped by 40 degrees F in a matter of a few hours), it landed on warm pavement.
So for at least a few hours the next morning, I could play with my camera (in super cold temps) with this unusual snow pattern — only surviving over the joints between our patio pavers.
The Denver Museum of Nature and Science is a fun place to skulk around in, should you ever be in town. Aside from all the great natural history material on display, the building itself has been added on to more times than I can count — leading to some interesting interior architecture.
I made this image in one of the building’s atriums (atria?), that once was a courtyard but since has been closed in and covered with a glass roof. Polished metallic wall tiles lead to interesting reflections and intersecting geometries.