A muted, somewhat ghostly shot for you — from Upper Antelope Canyon in Arizona:
A few things to note if you want to visit either Upper or Lower Antelope Canyon for photography:
- Only the upper canyon has nice, wide alcoves like this; also, it’s easier for people with mobility issues to move in, thanks to its relatively-wide sandy floor.
- You need to move fast (and get a little assistance from your guide) to get a shot of an alcove that doesn’t have other people in it — this is particularly true for the upper canyon.
- It helps to visit the upper canyon in the winter — you can see light rays in various places in Summer, and since this is well-publicized, the place is even more crowded then.
- The upper canyon has a two-way pedestrian flow (as opposed to the lower canyon, which has an entrance on one end and an exit on the other), so there can be jostling as people try to go their separate ways.
An HDR view from Upper Antelope Canyon, near Page (Arizona), converted to black and white:
I’ll be posting a longer comparison of Upper to Lower Antelope Canyon at a later date. For now, let’s just say that a walk through the Upper Canyon is a crowded experience — even in the “off-season,” even on a “Photo Tour.” So taking shots facing the sky is a good plan. In any case, the canyon is a unique experience, and always a reliable source of geological abstracts.
An abstract shot from the Ice Castle in Breckenridge, Colorado:
One of the fun things about living in Colorado is the plethora of great photographic subjects at hand. Among these, a new one (to me) is the “Ice Castle” built in Breckenridge during the winter. Made out of thousands of icicles, with imbedded LED lighting, it’s fun to walk through and a great photo subject. The lighting changes colors every few seconds, so you’ll need to be on your toes if you want to capture a formation lit with a particular color — and a tripod (or one of these) along with some sort of remote (corded or cordless) are pretty much essential.
Oh, and one more piece of advice — look up! If you limit yourself to photos taken on the level, you’ll miss some really interesting abstracts like this.
I almost titled this one “Self-portrait of Tripod,” given that I made this shot on self-timer so I wouldn’t be in it. As a result, though, you can see over a dozen reflections of my camera on its tripod.
The reflector in this case is, of course, the “Cloud Gate” sculpture (a.k.a. “The Bean”) in Chicago’s Millennium Park. This is taken from under the middle of it (officially called the omphalos, Greek for “navel”). You can also get distorted shots of the weather and local architecture by using Cloud Gate’s exterior reflections.
Loads of fun, but you need to get there early unless you want to make photographs with lots of people in them. Remind me to do a full writeup on photography of / with The Bean some day…
Seen at 35,000 feet, somewhere between Denver and Atlanta:
The clouds really were this smooth â€” I love the simple, semi-abstract look that the matching sky & jet engine colors gave this view.
We got hit by an odd late-winter storm the other day, and here’s what we woke up to:
This was the result of a storm that was supposed to dump a foot or more of snow on us, but wound up leaving us maybe an inch. And since the storm hit town quickly (temperature dropped by 40 degrees F in a matter of a few hours), it landed on warm pavement.
So for at least a few hours the next morning, I could play with my camera (in super cold temps) with this unusual snow pattern — only surviving over the joints between our patio pavers.
The Denver Museum of Nature and Science is a fun place to skulk around in, should you ever be in town. Aside from all the great natural history material on display, the building itself has been added on to more times than I can count — leading to some interesting interior architecture.
I made this image in one of the building’s atriums (atria?), that once was a courtyard but since has been closed in and covered with a glass roof. Polished metallic wall tiles lead to interesting reflections and intersecting geometries.