The many faces of Church Rock

Over the holidays, my family took an old-school road trip down to Arizona to visit relatives. Along the way, we came across an interesting geological feature that I’d never even heard of before — an old, eroded bit of volcanic material called Church Rock:

Church Rock

Located 10 miles east of Kayenta, Church Rock (nicknamed after its supposed resemblance to a cathedral from some angles) is part of a whole string of interesting geological features in this part of the country.  On the far horizon, you can see the chisel-shaped tip of Agathla Peak, in Monument Valley.  I think the line-up of features makes a good composition, although something like a 16:9 crop would reduce the impact of the foreground nicely.

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Aspen turning — some post processing experimentation

Recently, Topaz Software released the latest in their line of plugin and post processing software — Impression. The idea is that this software (which you can run stand-alone, or as a Photoshop plugin) can turn a photograph into something resembling a painting. And you can choose from approximations to any of a number of painting styles, with lots of things to tweak.  It’s available at a discount through the end of the month, so I thought I should download it and a trial code and give it a spin.

Aspen turning (original)

My raw material was this shot of aspen trees turning — I took it last weekend down in the San Juan mountains thinking it’d make nice wallpaper for my various gadgets.  Starting off with one of Impression’s “Van Gogh” presets and tweaking a bit, I rendered the original into this:

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Up to the very top

This past weekend, I happened to drive through the San Luis valley (south central Colorado), and so was able to wiggle a bit of free time loose in order to see sunrise at Great Sand Dunes National Park.

Up to the very top

Sitting on a dune ridge, looking even further “up hill,” I thought this was a striking sight.  A natural environmental abstract…

So why *did* the elk cross the road?

Apparently to stick his tongue out at me:

So why *did* the elk cross the road?

Or, maybe he’s just a big Miley Cyrus fan?  At any rate, let this image serve as a reminder to always keep your camera in your lap when venturing into an area with active wildlife.  We took a family trip up to Rocky Mountain National Park (in northern Colorado) this past weekend, and not far inside the park’s gate, we spotted this stunning bull elk grazing just off the far side of the road.

By the time I’d pulled over and retrieved my camera from the car’s back seat, our visitor was up on the road, crossing over to our side.  I only had time to fire off a couple of hasty shots (through the closed driver’s side window) before he was behind our car entirely.  Thank heaven for auto-focus.

The elk’s expression is, of course, hardly majestic.  But you know how bad they are about following direction…

Playing with Hyperlapse

About a week ago, Instagram announced the release of their new free Hyperlapse app for iOS. So since we were headed to Ohio to visit relatives over the Labor Day weekend, the timing was perfect for me to use some flights to experiment with this new software.

Mind you, Hyperlapse does wonderful things, but it has its limits. It has essentially no settings you can change — you tap on a button to start recording, tap again to stop, then decide how much you want the video sped up before it is saved. The particularly impressive part of this story is that the app makes use of your iOS device’s built-in solid state gyro to help smooth out the device’s motion while you recorded the video.

Here’s a hyperlapse video (10x speedup) of our departure from Denver International Airport:

For the most part, it looks pretty good to me — but you can see some artifacts in the clouds from point to point. The default speedup is 6x, so on the flight home from Cleveland, I used that setting for three hyperlapse videos I made during ascent. Here’s a montage of them:

Maybe this was just a fluke, but the app seemed to do a much better job with things like clouds in the second video. A function of the speedup setting, or just dumb luck? Time (and some more experiments) will tell…

Monet Pool Fiori

Another piece of art glass by Dale Chihuly (two pieces, actually), currently located in the Denver Botanic Gardens‘ Monet Pool:

Monet Pool Fiori

This arrangement is one that absolutely looks better at night.  In the daytime, you’re distracted by people and plants and benches behind the piece (from this vantage point).  At night, the lighting on the glasswork helps isolate it from what would otherwise be clutter.

EXIF info:
Oly 12-40mm f/2.8 lens at 21mm and f/4.5 on E-M1 camera
1/25 sec at ISO 1600

Room enough for two

This weekend, the local honeybees were giving some echinacea blooms in our yard a good workover, so I thought I was overdue in documenting their work.

Room enough for two

Normally, the bees seem to prefer working solo.  But even though we’ve got a swath of echinacea for them to work on, sometimes they need to “double up” in order to keep working.  I used an Olympus E-M1 and 60mm macro for this shot, BTW.

Fireworks in Steamboat Springs, Colorado

This past weekend, our family was able to spend a few days (including July 4th) in Steamboat Springs — always a treat and source of plenty of photographic opportunities to boot.  This is the first time, though, that I had the opportunity to photograph the town’s fireworks.  So since there’s not a whole lot of information about the show online, I thought I should do a quick write-up to help future visiting photographers.

July bouquet

At least when we visited, the fireworks were shot off from three locations on the sides of Howelsen Hill — centered roughly on the ski jump, south and west of downtown. This means that many spots downtown will give you a partial view of the fireworks, but they seem to be fired to a low altitude — so unless you’ve got rooftop access, you’re likely to have an obstructed view. Continue reading

Leaving Albuquerque

On a recent trip to Albuquerque to take care of some family business, I managed to get aboard a very well-timed flight home on a “puddle-jumper” turboprop aircraft.

Leaving Albuquerque

As we headed north from the airport, the sun was just setting, so I got a nice mix of lighting colors.  And, of course, flying in a small aircraft means everybody gets a window seat.

For locals and the curious, the Osuna interchange with I-25 is about at the image’s center (I-25 runs from the bottom right corner toward left center).