Temple V, Redux

Another view of the always-impressive Temple V in the ancient Maya ruins of Tikal, Guatemala:

Temple V, redux

This shot is from the northwest of the structure (unusual for a number of reasons, including its north-facing orientation).  Temple V also has rounded corners, a feature unique to major structures in Tikal and its surroundings.

Star trails and Perseids

The Perseid meteor shower had its peak a few days ago (late August 12 / early August 13 in North America), and since I both live in an urban area (bright night skies) and had cloudy weather that night, missed out on what must have been a good show.

But as luck would have it, we own a small bit of land in southern Colorado’s San Juan Mountains — a dark sky sort of place — and I’d already planned on traveling down for the weekend to do some maintenance work.  So, I thought I should try to capture some lagging Perseids the night of the 13th / 14th — here’s my first shot from the series:

Crowded skies

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Bouquet of colors

We recently took a family trip to Montreal and Boston — so along with other things, it gave me a chance to put Olympus’ (relatively recent) “Live Composition” mode to work on Boston’s Independence Day fireworks.

For those of you unfamiliar with this, “Live Composite” is a feature of their OM-D cameras that allows you to do something like a long exposure — but without the usual risk that brings of overexposing parts of the image.  You set up your exposure settings, start “Live Comp,” then it only updates a part of the image if it has become brighter than before — so you wind up collecting sort of a “high water mark” for each pixel / color.

It’s easier to use than I’ve described it, as for the results, you can see for yourself:

Bouquet of colors

This was my first real experience with Live Composite — I’ll definitely be writing more about it in the coming weeks…