Lighthouse

A long exposure of the Eiffel Tower’s sweeping light beams at night:

Lighthouse

It’s likely not obvious, but I took this shot using Olympus’ “Live Composite” function — I love how it lets me make images like this without having to use a neutral density filter, or (diffraction-blurring) small apertures.  The full settings with an Olympus OM-D E-M5II and M.Zuiko 40-150mm lens were f/3.5, 60mm, ISO 200, exposures of 0.8 seconds each.

On guard

This little figure is part of the decoration on the Temple of the Warriors in the Maya ruins of Chichén Itzá, Mexico:

On guard

I’m not sure how tall he is, since he’s mounted at a significant height off the ground, and can’t be seen from up close — you need a reasonably long lens and some perspective correction software to get a shot like this.  Still, if you look closely, you can see that the figure is emerging from the jaws of a feathered serpent, with most of the serpent’s details carved in bas-relief into the building’s stones.

Diamonds and Rubies

A look down Paris’ Champs Elysées at night:

Diamonds and rubies

This is just one frame out of many in a time lapse video I’m putting together — just as soon as a replacement for my now-defunct main computer arrives (!?!).  If you were curious, there are little sheltered “islands” for pedestrians at the center of crosswalks on this street — perfect locations for a little night photography.

Star trails and Perseids

The Perseid meteor shower had its peak a few days ago (late August 12 / early August 13 in North America), and since I both live in an urban area (bright night skies) and had cloudy weather that night, missed out on what must have been a good show.

But as luck would have it, we own a small bit of land in southern Colorado’s San Juan Mountains — a dark sky sort of place — and I’d already planned on traveling down for the weekend to do some maintenance work.  So, I thought I should try to capture some lagging Perseids the night of the 13th / 14th — here’s my first shot from the series:

Crowded skies

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