At Sayil (one of the larger sites along the Maya “Puuc Route“), the Palace is the marquis attraction, but about 350 meters (1300 feet) southeast of it along a marked path is this interesting structure:
It was dubbed El Mirador (“The Lookout”), but was once a 5-room temple on a low pyramid. This shot is from the north (rear) and shows the 2 surviving rooms, and the surviving half of the once much-wider roof comb.
Seen on the slopes of Mt. Rainier in Washington state:
I spotted this along the side of a trail in the “Grove of the Patriarchs”…
Just a quick FYI here — Craft & Vision are having an anniversary sale (they’ve been producing really good photography eBooks for 3 years now). If you want to fill in some gaps in your library, you can get 33% off any order of 10 or more eBooks (use discount code “3YEARS”). So hustle on over, the sale only runs through August 29 (tomorrow)!
I spotted this critter on a photowalk through downtown Victoria, Canada:
It’s hard to say what thoughts are going through his (her?) little reptilian head, but pride of “ownership” is likely one of them!
A.K.A. the Temple of the Skull, from the stucco carving of a rabbit’s skull at the base of one of the temple’s pillars.
In the 1990s, archaeologists found a passageway leading from the temple to a burial chamber for a person of some importance (likely local royalty) and his attendants. This is one of the first structures you see when you enter the ruins of Palenque.
A hysterical parody of smart phone photography (and to some extent, social media):
Another shot of Mt. Rainier — this one from the southeast:
It was so hazy on this particular day that I had to use 5 images and heavy use of HDR in order to get any separation between the sky and mountain. I’m fairly happy with the results — at least it doesn’t seem as unnatural as HDR images can sometimes turn out.
It’s ‘Roid Week on Flickr, so I thought it would be a good time to post this shot I made in Wichita a few weeks back:
This is part of what used to be a roller coaster at an abandoned amusement park called Joyland. The place was closed, then sold, then re-opened, then closed again, and finally abandoned. Now it’s slowly decaying while the rides and other structures gradually (occasionally…) get dismantled and torn down. Apparently it’s quite the magnet for urban explorers in town, but I didn’t really want to deal with the legal issues involved with hopping the park’s fence, so did my photography from outside the barriers.
I made this shot with a Polaroid OneStep Express camera and Impossible Project PX 600 Silver Shade film — a combination I’m really warming up to. It seems to be particularly good for street and decay shots (although, at $3 per exposure, a bit pricey for everyday use). Given how far this place has fallen from its heyday, the black border on this film seemed appropriate, a way of both commemorating and mourning this decay.
Every month, the folks at Craft & Vision release another title in their fine series of photography eBooks. This month’s contribution was just released today — it’s Finding Focus: Understanding the Camera’s Eye, by Nicole S. Young. As you might expect from the title, this eBook is a top-to-bottom discussion of the use of focus in photography. It’s comprehensive, and doesn’t assume you know very much of the subject (which has its pros and cons, obviously, depending on where you’re at photographically-speaking).
Finding Focus costs $5 for a PDF with 36 (double-width) pages, full of explanatory text and plenty of helpful example images. It covers the following topics:
The eBook’s coverage of focus is technical and comprehensive, but given the nature of its subject, may be a bit basic for some people. From my perspective, Finding Focus will likely be more useful for a beginner or beginner / intermediate photographer than for a more advanced shooter. That being said, it’s a well put-together eBook if it answers a need for you. I have only one complaint about this title: example images are labeled with their EXIF data, but many of the labels don’t include the focal length used (for shots taken with a zoom lens). This is an odd oversight, given that telephoto compression of a scene is part of the ground this title covers.