“Swelter Shelter” Petroglyphs

These petroglyphs were carved and painted into a sandstone wall (in what is now Dinosaur National Monument, Utah) about a thousand years ago by members of a semi-nomadic culture known as the Fremont:

"Swelter Shelter" Petroglyphs

This site, called the “Swelter Shelter,” was a seasonal dwelling for the Fremont, only used for part of the year as they followed available food and water.  But apparently conditions here were sufficiently hospitable that the Fremont had a little spare time for art.

Should you ever make it to Dinosaur National Monument, this is just one of a number of fairly easily visited sites along the Tour of the Tilted Rocks Scenic Drive, not far from the Visitor’s Center.

Unsung incidents of the French & Indian War

…or of the Seven Years’ War, if you’re outside the U.S.

A few months back, we took a trip out to Ohio to visit some of my wife’s relatives.  Near their corner of rural eastern Ohio, there’s a “Great Trail Festival” each autumn — with folks dressing up and (to some degree cooking) like frontier folk from centuries back.  Part of the experience is a group of semi-local re-enactors portraying a skirmish from the French & Indian War.

Unsung incidents of the French & Indian War

Here, you see a French soldier on the left (who’s been “shot”) about to spring a surprise on a local colonist.  Have to love the “French” gent’s expression…

The three principals

On our recent trip to the Balkans, by far one of our favorite stops was the little walled town of Korčula in Croatia. Good food, friendly people, and some wonderful cultural sights — for instance, the ancient sword dance known as the Moreška.

The story behind the dance is timeless — there are good guys, and bad guys, and a young maiden caught in the middle.  In this case, the good guys are the White King and his troops (once symbolic of Christians, later representing the Turks), and the bad guys are the Black King and his supporters (who have always represented the Moors).

The three principals

In this scene, you see the White King (Osman, dressed in red) and the Black King (Moro) facing off — with the maiden Bula trying to stop the fighting.  Bula is the white king’s fiancee, and the black king has kidnapped her, leading to a series of battles finally culminating in the white king’s victory and Bula’s happy return to her love.

The dance has roots dating back to conflict between Christians and Muslims in medieval Spain, and quickly spread throughout the Mediterranean.  For centuries, many towns staged their own version of the Moreška — but usually just once every few years, and then on the given town’s patronal feast day.  Over the years, the tradition disappeared from town after town until now, only Korčula stages it with any regularity.  But the good news for visitors is that the town stages the dance every week, year ’round (and twice a week during the summer).  The performers are all natives of Korčula, some with long and proud family histories of participation.

Should you ever get a chance to watch the show in person, I’ve got some tips for you:

  1. Don’t use a flash
  2. Sit in the seats opposite to the musicians, preferably on the center aisle, definitely near the front
  3. Be prepared for low-light photography — I took this shot at 1/80 sec. to freeze any motion, which meant ISO 4000 and f/2.8

A different sort of last supper

The Denver Chalk Art Festival is always a colorful (if crowded) experience for photographers.  This year, it happened to coincide with the Denver Comic Con — so it was fitting that the Rocky Mountain College of Art & Design (RMCAD) contributed this work based on cartoon / sci-fi characters:

A different sort of last supper

One of the hallmarks of RMCAD art works is their use of reflectors to turn a curved artwork into something that is visually straight when seen from just the right angle.  If you look carefully, you can see the bottom edge of their reflector in the top third of the above image.

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Ridin’ and shootin’

Another fun shot from the 2012 National Western Stock Show — this one from the Cowboy Mounted Shooting event:

Ridin' and shootin'

Honestly, I’d never even *heard* of Cowboy Mounted Shooting as a competitive event before. But when we showed up at the stock show ticket desk, we could definitely hear it! We wandered into the arena to see what all the noise was from — and found this fun little event going on.

Getting this shot was a bit tricky, though. The arena lights are relatively dim, and the horses move pretty quickly — so I had to let the ISO get up to 2500 in order to get a reasonably fast shutter speed. At times like this, it helps to catch the action when the horse and rider are rounding a corner — so they’re moving as slowly as they’ll ever be. Oh, and put your camera on “continuous” shooting — catching sparks in mid-air is a game of chance…

Lost in the Caribbean

A few weeks back, Denver held its latest annual “Doors Open Denver” weekend. The point of these is to encourage people to get out and get familiar with some local architectural points of interest. This year’s theme was “modern architecture,” roughly speaking things built in the past 50 years.

Lost in the Caribbean

I took this shot in the lobby of the Cable Center Building — a pretty posh place that’s a local hub of the cable TV industry. I have no idea who this gent was, but he definitely seemed to be feeling a bit… at sea.

Giant in the mist

I took this image (actually, a panorama of two images) several years ago, and just recently thought to revisit it in my “workflow.”

Giant in the Mist

What I like best about this image is the people in it. For many of us, Paris and the Eiffel Tower are romantic places seen only on occasional trips. But for the locals, they’re a regular part of the scenery — almost taken for granted. So while I was working to get a good composition of this image with the tower, the people that lived nearby were going about their regular lives, paying little attention to the tower.