Looking down the canyon

A fisheye view of Echo Canyon in Zion National Park, seen from under “Weeping Rock:”

Looking down the canyon

This scene, BTW, is just a taste of the attractions in Zion. The place can get a bit crowded during the summer, but a shuttle bus service runs up and down the canyon, and many impressive sights are just a short hike away from a shuttle stop.

EXIF:
Olympus E-M1
Olympus M.Zuiko 8mm Fisheye lens
f/22, 1/100 sec, ISO 200

Going out on patrol

A quick shot of (wild)life from Florida’s Myakka River State Park, as an alligator heads out into the lake, looking for lunch:

Going out on patrol

I took this shot from a tour boat the park runs — I’d absolutely recommend it if you’re ever in the “neighborhood” (but get there early, tickets for the boats tend to sell out early in the day).

EXIF:
Olympus E-M1II
Olympus M.Zuiko 40-150mm f/2.8 lens
MC-14 teleconverter
f/7.1, 210mm, 1/1600 sec, ISO 200

Star trails and Perseids

The Perseid meteor shower had its peak a few days ago (late August 12 / early August 13 in North America), and since I both live in an urban area (bright night skies) and had cloudy weather that night, missed out on what must have been a good show.

But as luck would have it, we own a small bit of land in southern Colorado’s San Juan Mountains — a dark sky sort of place — and I’d already planned on traveling down for the weekend to do some maintenance work.  So, I thought I should try to capture some lagging Perseids the night of the 13th / 14th — here’s my first shot from the series:

Crowded skies

Continue reading

The feeling of falling

For your weekend relaxation — a view of Montmorency Falls, near Quebec City, Quebec, Canada:

The feeling of falling

As waterfalls go, Montmorency is both photogenic and easy to get to, if you’re in the neighborhood (it’s a relatively short jaunt off a nearby highway).  Some thoughts, though, should you be planning a trip to Quebec City: Continue reading

Bouquet of colors

We recently took a family trip to Montreal and Boston — so along with other things, it gave me a chance to put Olympus’ (relatively recent) “Live Composite” mode to work on Boston’s Independence Day fireworks.

For those of you unfamiliar with this, “Live Composite” is a feature of their OM-D cameras that allows you to do something like a long exposure — but without the usual risk that brings of overexposing parts of the image.  You set up your exposure settings, start “Live Comp,” then it only updates a part of the image if it has become brighter than before — so you wind up collecting sort of a “high water mark” for each pixel / color.

It’s easier to use than I’ve described it, as for the results, you can see for yourself:

Bouquet of colors

This was my first real experience with Live Composite — I’ll definitely be writing more about it in the coming weeks…