I spotted this scene late at night in New Orleans:
I’ve taken to paying attention to what ceiling light fixtures look like from below — it’s not how they’re intended to be viewed, and you’ll often see an interesting geometry as a result. This one just made me laugh — it started as a nice symmetric six-sided thing, but has lost any pretense of regularity (as seems to be typical of New Orleans). Meanwhile, over on the left, where two bulb holders are a bit spread apart from where they originally were, an alarm bell sits between them and balances the composition.
So, crooked but still balanced. The sepia tone, by the way, was naturally there — about all I did to this shot was correct a little pincushion from the close perspective.