In our neck of the woods, we’ve had cloudy night skies recently (at least, since my E-M1II arrived). So I’ve lacked a clear view of stars to test the beast on, but fortunately there are plenty of Christmas lights to work with. Here’s a quick shot from one of the more-colorful nearby houses:
A long exposure of the Eiffel Tower’s sweeping light beams at night:
It’s likely not obvious, but I took this shot using Olympus’ “Live Composite” function — I love how it lets me make images like this without having to use a neutral density filter, or (diffraction-blurring) small apertures. The full settings with an Olympus OM-D E-M5II and M.Zuiko 40-150mm lens were f/3.5, 60mm, ISO 200, exposures of 0.8 seconds each.
A look down Paris’ Champs Elysées at night:
This is just one frame out of many in a time lapse video I’m putting together — just as soon as a replacement for my now-defunct main computer arrives (!?!). If you were curious, there are little sheltered “islands” for pedestrians at the center of crosswalks on this street — perfect locations for a little night photography.
The Perseid meteor shower had its peak a few days ago (late August 12 / early August 13 in North America), and since I both live in an urban area (bright night skies) and had cloudy weather that night, missed out on what must have been a good show.
But as luck would have it, we own a small bit of land in southern Colorado’s San Juan Mountains — a dark sky sort of place — and I’d already planned on traveling down for the weekend to do some maintenance work. So, I thought I should try to capture some lagging Perseids the night of the 13th / 14th — here’s my first shot from the series:
One of the privileges of photographic life near Denver, Colorado is that you get some uniquely colorful holiday lights to play with. In particular, the Denver City and County building traditionally is bathed in a very… unrestrained choice of colored lights at night for the season. Call it gaudy, call it exuberant, call it tacky, the bottom line is that it’s a photographer magnet (we just can’t help ourselves).
Best of all, the folks running the building now turn off the street lights on Bannock Street in front of it every Sunday night when the building’s lit up — this makes it so much easier to capture the building in all its highly-saturated glory. So last Sunday, I got bundled up to handle our recent frigid night temperatures (clear sky, 17 degrees Fahrenheit) and went to town on the place.
The above photo was taken from near the end of the building’s south wing, if you were curious. This is definitely my favorite photo of the set, I really like how the snow in the foreground brings some of the chill to the viewer. Continue reading
A street scene from the 2015 Denver Parade of Lights:
I don’t know why it took me so long to post it, but here’s my favorite among the shots I took of last Sunday’s supermoon lunar eclipse (near the deepest part of the eclipse):
We didn’t have time to run off anywhere for a unique local point of interest in the frame, I shot this straight off the deck over our garage. Still, I like it — even with (maybe because of) the traces of clouds below the moon. The clouds swept through just after the eclipse started, and I was afraid they’d ruin the whole show, but they moved out just in time.
Two fountains, lit up nicely at the Denver Botanic Gardens:
A 10-second exposure taken with an Olympus E-M1 at ISO 1600 — no noise at all in the SOOC image.
Another piece of art glass by Dale Chihuly (two pieces, actually), currently located in the Denver Botanic Gardens‘ Monet Pool:
This arrangement is one that absolutely looks better at night. In the daytime, you’re distracted by people and plants and benches behind the piece (from this vantage point). At night, the lighting on the glasswork helps isolate it from what would otherwise be clutter.
EXIF info:
Oly 12-40mm f/2.8 lens at 21mm and f/4.5 on E-M1 camera
1/25 sec at ISO 1600
This past autumn, when I returned to the ancient Maya ruins of Uxmal, I had the opportunity to spend a night in a nearby hotel and so could watch the evening light show at the ruins. The main action takes place in the Nunnery Quadrangle, but as you can see here, the Pyramid of the Magician isn’t left out of the fun.
Granted, the colors can get a bit… garish… but the show as a whole is pretty impressive. And if you know a little Spanish, you get to hear a concise history of the site while watching the colored lights splashing on various buildings.
In our case, as happens pretty regularly (I’m told), we also got drenched right after the part of the show in which recorded voices (portraying plaintive inhabitants during the site’s historic drought) chant the name of the Maya rain god Chaac. Interesting coincidence, that…