We recently did a bit of family travel — on our way from Denver to Phoenix, we were fortunate enough to have relatively clear skies and a late afternoon flight. Perfect for some aerial twilight photography of various spots in Colorado and the four corners region of the U.S.
First up for you, Colorado Springs (top of frame) seen over the snow covered Rampart Reservoir, not far west of town.
Colorado Springs is one of those places I normally see while driving through (in this case, on I-25) — from that perspective, the mountains form a wall to the west of the city. But from above, the fact that the mountains are essentially a (tall) rumpled plateau is much more evident.
A muted, somewhat ghostly shot for you — from Upper Antelope Canyon in Arizona:
A few things to note if you want to visit either Upper or Lower Antelope Canyon for photography:
Only the upper canyon has nice, wide alcoves like this; also, it’s easier for people with mobility issues to move in, thanks to its relatively-wide sandy floor.
You need to move fast (and get a little assistance from your guide) to get a shot of an alcove that doesn’t have other people in it — this is particularly true for the upper canyon.
It helps to visit the upper canyon in the winter — you can see light rays in various places in Summer, and since this is well-publicized, the place is even more crowded then.
The upper canyon has a two-way pedestrian flow (as opposed to the lower canyon, which has an entrance on one end and an exit on the other), so there can be jostling as people try to go their separate ways.
On our trip to Iceland this January, we got to see a new perspective on a subject we’ve had earlier experiences with — lava tubes. Formed when lava flows crusted over and subsequently drained, we’ve walked through some in Hawaii — but never previously seen one in a colder clime.
So this is what happens near the Arctic Circle where there’s a lava tube “skylight” (localized collapse of the tube’s ceiling). Continue reading →
An HDR view from Upper Antelope Canyon, near Page (Arizona), converted to black and white:
I’ll be posting a longer comparison of Upper to Lower Antelope Canyon at a later date. For now, let’s just say that a walk through the Upper Canyon is a crowded experience — even in the “off-season,” even on a “Photo Tour.” So taking shots facing the sky is a good plan. In any case, the canyon is a unique experience, and always a reliable source of geological abstracts.
Over the holidays, my family took an old-school road trip down to Arizona to visit relatives. Along the way, we came across an interesting geological feature that I’d never even heard of before — an old, eroded bit of volcanic material called Church Rock:
Located 10 miles east of Kayenta, Church Rock (nicknamed after its supposed resemblance to a cathedral from some angles) is part of a whole string of interesting geological features in this part of the country. On the far horizon, you can see the chisel-shaped tip of Agathla Peak, in Monument Valley. I think the line-up of features makes a good composition, although something like a 16:9 crop would reduce the impact of the foreground nicely.
Recently, Topaz Software released the latest in their line of plugin and post processing software — Impression. The idea is that this software (which you can run stand-alone, or as a Photoshop plugin) can turn a photograph into something resembling a painting. And you can choose from approximations to any of a number of painting styles, with lots of things to tweak. It’s available at a discount through the end of the month, so I thought I should download it and a trial code and give it a spin.
My raw material was this shot of aspen trees turning — I took it last weekend down in the San Juan mountains thinking it’d make nice wallpaper for my various gadgets. Starting off with one of Impression’s “Van Gogh” presets and tweaking a bit, I rendered the original into this: